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隨著疫情的突襲及城市化進程的加速發(fā)展，人們對環(huán)境要求更加多元和動態(tài)，對工作和辦公場所的認知也更為靈活與自由。于此，空間的復合型功能、辦公場所的親自然性與“無界化”，與是否涵蓋公共精神與社會藝術內(nèi)核逐漸成為當今時代的新命題。
共享西溪濕地的生態(tài)自然，坐擁商務科技的優(yōu)渥土壤，云瀾谷提煉出在建筑界面的包裹下親近自然的內(nèi)核，以“無界滲透”為空間設計主旨，將自然、植物、木材、泥土、石材等元素，通過“表皮重塑”、“垂直滲透”的方式植入建筑內(nèi)部，創(chuàng)新藝術裝置和社交氛圍，縫合連接起“大堂”、“中庭”等公共空間，創(chuàng)造更多“室內(nèi)的風景”，營造而成極具“藝術、自然、生活與工作”的無界“云谷”。
With the outbreak of the epidemic and the accelerated development of urbanization, people's environmental requirements are more perse and dynamic, and their cognition of work and office places is more flexible and free. Here, the complex function of space, the naturalness and "borderless" of office space, and whether to cover the public spirit and the core of social art have gradually become the new propositions of today's times.
Sharing the ecological nature of Xixi Wetland and rich soil of business science and technology, Yunlan Valley extracts the core that is close to nature under the packaging of the architectural interface. With "borderless penetration" as the theme of space design, nature, plants, wood, soil, stone and other elements are implanted into the interior of the building through "skin remodeling" and "vertical penetration" to innovate art installations and social atmosphere. The "lobby", "atrium" and other public Spaces are stitched together to create more "indoor scenery" and create a boundless "cloud valley" with "art, nature, life and work".
壹、立面重塑
First，facade remodeling
在云瀾谷室內(nèi)空間中我們借用自然光、生態(tài)與科技，重塑建筑“內(nèi)表皮”。
項目以大尺度內(nèi)向與立體花園形式，在入口大堂與幕墻、窗體之間重塑“巴埃薩的對角極致”，光影入口，明亮簡潔的橫向紋理線條指引空間視線，完成引導指示性功能。
In the interior space of Yunlan Valley, we use natural light, ecology and technology to reshape the "inner skin" of the building.
In the form of a large-scale inward and three-dimensional garden, the project recreates the "diagonal extreme of Baesa" between the entrance lobby and the curtain wall and forms. The light and shadow entrance, bright and simple horizontal texture lines guide the space line of sight, and complete the guiding and indicative function.
四周墻面與頂?shù)酌嫜永m(xù)線條語素貫穿整體界面，墻體對縫連通幕墻、層板、燈光高度，并將照明、空調(diào)整合到一條設備帶中，形成干凈、延續(xù)的視覺效果。豐富的光影變化與統(tǒng)一的材料模數(shù)形成強烈的對比，流光與體塊相疊，秩序與律動相輔，讓空間充滿探索趣味。
The surrounding wall and the top and bottom surface continue the line morpheme through the overall interface, the wall seam connects the curtain wall, the laminate, the lighting height, and integrates the lighting and air conditioning into an equipment belt, forming a clean and continuous visual effect. Rich light and shadow changes and unified material modulus form a strong contrast, streamer and volume overlap, order and rhythm complement, so that the space is full of exploration interest.
貳、垂直滲透
Second, vertical penetration
我們對統(tǒng)一界面的語言進行延伸，整體中庭空間以自然意趣，藝術滲透的理念貫徹到建筑、形體和可塑的空間體量中，以求“由內(nèi)而外”和“由外及內(nèi)”。
We extend the language of the unified interface, and the concept of natural interest and artistic penetration of the overall atrium space is implemented into the architecture, form and plastic space volume, in order to "from the inside out" and "from the outside to the inside".
正如越來越多的項目注重創(chuàng)造“多重地表”的概念，我們在中庭空間以體塊與方形幾何架構“垂直滲透”，以擴大人與自然的接觸表面積，延長在自然中的停留時間，創(chuàng)造層次豐富的親自然體驗。
Just as more and more projects focus on creating the concept of "multiple surfaces", we use volume and square geometric structures to "vertically penetrate" the atrium space to expand the contact surface area between people and nature, extend the time spent in nature, and create a rich and pro-nature experience.
叁、室內(nèi)風景
Third, indoor scenery
人與自然的關系已從“馴化自然”轉(zhuǎn)變?yōu)椤芭c自然協(xié)作”，我們從室內(nèi)設計出發(fā)，結(jié)合本土植物，構造極具有視覺特色的辦公景觀。
The relationship between man and nature has changed from "domestication of nature" to "collaboration with nature". We start from interior design and combine native plants to construct a highly visual office landscape.
室內(nèi)通過規(guī)劃和設計創(chuàng)造更多“看得到風景的房間”，將自然帶入建筑內(nèi)部。
利用大堂、中庭、植物的銜接圍合，植入年輪紋理的科技木皮、契合地泥土色的座椅，通過科技處理展現(xiàn)出大面金屬質(zhì)感，以及墻面石材與地面花崗巖的豐富紋理，喚起辦公人群對自然的感知，緩解工作緊繃的神經(jīng)，身處其中，沉浸式感受自然的聲音與氣味。
我們想構建的，并不是固定的某種空間結(jié)構或形式，而是讓人們在沉浸式工作的同時，也能于無形中強化對自然的認知，讓生活與工作達到深層次融合。
The interior brings nature into the building through planning and design to create more "rooms with views".
By using the connection between the lobby, atrium and plants, the technological wood bark with the grain of annual rings and the seats with the appropriate earthy color are implanted. Through technological treatment, the metal texture of the large surface is displayed, and the rich texture of the stone on the wall and the granite on the ground is displayed. This arouses the perception of the office crowd on nature, alleviates the nervous tension of work, and immerse yourself in the sound and smell of nature.
What we want to build is not a fixed spatial structure or form, but to enable people to unconsciously strengthen their cognition of nature while immersed in work, so that life and work can achieve a deep integration.
肆、公共磁場
Fourth, the public magnetic field
在實現(xiàn)公共共享價值之前，我們著手建立場地引力，打破場地內(nèi)外之間的對立面，注重創(chuàng)造具有吸引力、能激發(fā)創(chuàng)意和潛能，促進人際交往和互動豐富的室內(nèi)空間，將人帶回具有“公共磁極”的地表。
Before realizing the public shared value, we set out to establish the attraction of the site, break the opposites between the inside and outside of the site, and focus on creating attractive interior Spaces that stimulate creativity and potential, promote interpersonal communication and interaction, and bring people back to the surface with a "public magnetic pole".
猶如柯布西耶在斯圖加特（Stuttgart）的設計，云瀾谷既具有嚴整的建筑外框架，又具有自由的室內(nèi)使用空間。
除了75%的固定室內(nèi)空間，另外25%的“X空間”將充分展現(xiàn)其靈活性，承擔促進人際交往和互動的職責。在中庭及走廊營造適宜尺度的停留空間，滿足不同人數(shù)的非辦公室討論與臨時辦公場景，“鄰里”特質(zhì)將人在空間里聚集起來，中庭變?yōu)榱艘粋€“廣場”，平衡了場所的私密和社交屬性。
Like Le Corbusier's design in Stuttgart, the Lancer Valley has both a rigid exterior framework and a free interior use space.
In addition to 75 percent of the fixed interior space, the other 25 percent of the "X-space" will be fully flexible and take on the responsibility of promoting human interaction and interaction. In the atrium and corridor, a stay space of appropriate scale is created to meet the non-office discussion and temporary office scenes of different numbers of people. The "neighborhood" quality brings people together in the space, and the atrium becomes a "square", balancing the private and social attributes of the place.
同時我們也在“X空間”設計里，注入了更多細節(jié)功能的考量，留足了方便辦公人群停留的植物、吧臺、座位、照明和電源；走廊扶手亦設置成“可以放置一杯咖啡”的寬度。
在“無用”的長條形空間內(nèi)，具備運營屬性的“盒子”通過插件方式在關鍵觸點上起到作用，豐富室內(nèi)業(yè)態(tài)與空間屬性，有效提升人在空間中的停留意愿與幸福感。
At the same time, we also injected more detailed functional considerations into the design of "X space", leaving enough plants, counters, seats, lighting and power supplies for office people to stay. The handrail of the corridor is also set to the width of "can place a cup of coffee".
In the "useless" long space, the "box" with operational properties plays a role on the key contact points by means of plug-ins, enriching the indoor format and spatial attributes, and effectively improving people's willingness to stay in the space and happiness.
在這里人們可以偶爾逃離辦公狀態(tài)，喝杯咖啡，看看綠色植物，遠眺窗外世界，不僅能夠提高工作效率，更能增強工作愉悅度，創(chuàng)造出一個放松、分享、交互的高效公共空間。
Here, people can occasionally escape the office state, drink a cup of coffee, look at the green plants, and overlook the world outside the window, which can not only improve work efficiency, but also enhance work pleasure, and create an efficient public space for relaxation, sharing, and interaction.
△ 主要材質(zhì) / Main material
項目名稱丨西投綠城 · 杭州云瀾谷
項目類型丨商務辦公園區(qū)
項目業(yè)主丨綠城中國/西湖投資
業(yè)主團隊丨葉恒、鐘妍、余冰、李偉、陳利、馮夢雅、呂俊、鄭梟
項目地點丨浙江杭州
設計竣工丨2023.07
設計面積丨約15570㎡
室內(nèi)設計丨ZSD卓時
總設計師丨袁廓（笑雨）
室內(nèi)團隊丨王薇薇、曾斌、付紳、楊世軼、樓蕭、董學鵬、李超
項目攝影丨XF Photography
Project name: Xitou Green City · Hangzhou Yunlan Valley
Project Type: Business Office Park
Project owner :Greentown China/West Lake Investment
Owner Team: Ye Heng, Zhong Yan, Yu Bing, Li Wei, Chen Li, Feng Mengya, Lu Jun, Zheng Xiao
Project location: Hangzhou, Zhejiang
Design completed:2023.07
Gross built area: 15570㎡
Interior Design:ZSD
Chief Designer :Yuan Kuo
Indoor Team: Wang Weiwei, Zeng Bin, Fu Shen, Yang Shiyi, Lou Xiao, Dong Xuepeng, Li Chao
Project Photography: XF Photography
來源：本文由ZSD卓時提供稿件，所有著作權歸屬ZSD卓時所有。
本文版權歸腿腿教學網(wǎng)及原創(chuàng)作者所有，未經(jīng)授權，謝絕轉(zhuǎn)載。
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