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建筑賞析|倫敦Mews小巷中,一座舊車庫(kù)變身高顏值藝術(shù)屏風(fēng)

發(fā)布于:2025-02-19 11:03:21

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倫敦Mews小巷中,一座舊車庫(kù)變身高顏值藝術(shù)屏風(fēng)第1張圖片



伊麗莎白Mews住宅
Elizabeth Mews House / Trewhela Williams

由專筑網(wǎng)Yinglin,小R編譯

該項(xiàng)目位于倫敦北部的Primrose Hill地區(qū),是一座庭院住宅的改造項(xiàng)目,包含了車庫(kù)的改造以及一層的翻新,建筑坐落在一條寧?kù)o的石板路馬廄小巷中,這里是Belsize Park保護(hù)區(qū)內(nèi),因此任何面向街道的改動(dòng)都需謹(jǐn)慎處理,以免破壞馬廄小巷現(xiàn)有的歷史風(fēng)貌。重復(fù)出現(xiàn)的木質(zhì)面板門是該小巷作為馬廄和馬車住所歷史遺跡的一部分,并且至今仍是其整體風(fēng)貌的重要組成元素。因此,設(shè)計(jì)師認(rèn)為最合適的方式是以精心的木工設(shè)計(jì)對(duì)原有的門洞進(jìn)行巧妙改造。

The project comprises a garage conversion and ground floor refurbishment of a courtyard house on a quiet cobbled mews in Primrose Hill, North London. Elizabeth Mews falls within the Belsize Park Conservation Area which means that any proposed street-facing alterations to the garage needed to be carefully considered so as to not harm the existing character of the mews. The repeating wood-paneled doors are a legacy from the mews' origins as stabling and coach accommodation and remain a key contributor to its overall character. It was therefore felt most appropriate to sensitively repurpose the existing door opening with a carpentry insert.

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車庫(kù)門被重新構(gòu)想為精致的橡木百葉屏風(fēng),旨在平衡引入自然光與通風(fēng)的需求,同時(shí)提供隱私保護(hù)與遮陽(yáng)功能。從小巷入口遠(yuǎn)觀,這些百葉屏風(fēng)呈現(xiàn)出一種穩(wěn)固的印象,而當(dāng)人們靠近時(shí),其層次感如翻動(dòng)的書頁(yè)般展開(kāi)。這種平面、體量與邊緣的趣味性排列,令人聯(lián)想起藝術(shù)家Donald Judd的膠合板雕塑作品。

The garage door was reimagined as a finely crafted oak finned screen developed to reconcile the competing considerations of admitting daylight and ventilation into the home whilst providing privacy screening and solar shading. When viewed from the gateway to the mews, the flutter of fins retains an impression of solidity which unravels like turning pages on approach. This playful choreography of planes, volumes, and edges recalls the plywood sculptures of artist Donald Judd. The sculptural simplicity of the overall carpentry composition was achieved by concealed restraint fixings, tightly abutting joints, grain alignment, a unifying white oil finish, and frameless detailing of the glazing. Set back behind the central fins, this glazing unit can tilt as a window for cross-ventilation, or turn inwards as a door to allow the family cat to venture out.

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這一建筑設(shè)計(jì)在尊重小巷原有窗戶布局秩序的基礎(chǔ)上,為其風(fēng)貌帶來(lái)了低調(diào)而莊重的演變。煥然一新的立面為鄰里帶來(lái)了更豐富的視覺(jué)活力、安全監(jiān)控,以及充足的光照。設(shè)計(jì)師希望該項(xiàng)目能夠?yàn)猷徖飿?shù)立積極的典范,鼓勵(lì)更多的改造項(xiàng)目,持續(xù)推動(dòng)街道地面景觀的逐步復(fù)興。

The architectural approach respects the established fenestration order of the mews, whilst offering a quietly dignified evolution of its character. The enlivened frontage contributes greater visual animation, passive surveillance, and illumination to the neighborhood.  The hope is for the project to set a positive precedent for other neighbors to follow suit with their own garage conversions and continue this incremental revitalization of the ground-level street scene.

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室內(nèi)空間中,一層的平面布局沿著前后軸線進(jìn)行了重新規(guī)劃,一條長(zhǎng)達(dá)9米的長(zhǎng)廊式廚房貫穿整座建筑,將街道與現(xiàn)有庭院連接起來(lái)。在靠后的區(qū)域,廚房擴(kuò)展為一個(gè)用餐區(qū),隨后收縮為一個(gè)小型的舒適休息區(qū)。寧?kù)o、沉思的室內(nèi)氛圍通過(guò)色調(diào)與材質(zhì)的微妙變化來(lái)定義,使空間整體統(tǒng)一。這一設(shè)計(jì)的核心是一種特殊的丹麥灰泥,它將墻面與天花板統(tǒng)一為織物般的表面,仿佛暗示著未定義的紡織材料。工作臺(tái)面由云白色的穆拉大理石制成,其厚重的邊緣在視覺(jué)上優(yōu)于上方精致的金屬架,形成了層次分明的對(duì)比。這兩條線性元素之間由一條帶有卡拉拉斑點(diǎn)的水磨石瓷磚帶隔開(kāi),色彩的運(yùn)用簡(jiǎn)約而精準(zhǔn)。道格拉斯冷杉木板的玫瑰色暖調(diào)與拉絲銅裝飾、紅葉楓的斑駁深紅色葉子以及休息區(qū)的玫瑰石英色靠墊相互輝映,營(yíng)造出和諧的氛圍。

Internally, the ground floor plan is re-organized on its front-back axis along a 9m long galley kitchen spanning the full depth of the property linking the street to an existing courtyard. Towards the rear, the kitchen expands into a dining area, before contracting into a small snug seating area beyond. The calm, contemplative interior is defined by tonal and textural nuances that help the space to read as a uniform whole. Central to this is a specialist Danish plaster, which unifies walls and ceilings with a fabric-like surface suggesting undefined textiles. The worktop is formed from a cloudy white Mugla marble; its weighty edge establishes a visual hierarchy over the delicately pressed metal shelf above. These two linear elements are separated by a band of Carrara-flecked terrazzo tiles. Color is used sparingly but with precision. The rosy warmth of the Douglas Fir planks is complimented by the brushed copper accents, the mottled burgundy leaves of the Acer Palmatum Fireglow, and rose quartz cushions to the snug.

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建筑事務(wù)所:Trewhela Williams
類型:住宅、翻新項(xiàng)目
面積:43平方米
竣工年份:2022年
攝影:Lorenzo Zandri
制造商:Chauncey、IQ Glass、Torc Pots
結(jié)構(gòu)工程師:Peter Dann Consulting Engineers
建筑與室內(nèi)設(shè)計(jì):Perran Trewhela、Joe Williams
木工制作:Woodland London
城市:倫敦
國(guó)家:英國(guó)

Houses, Refurbishment•London, United Kingdom
Architects: Trewhela Williams
Area: 43 m²
Year: 2022
Photographs:Lorenzo Zandri
Manufacturers:  Chauncey, IQ Glass, Torc Pots
Structural Engineer: Peter Dann Consulting Engineers
Architecture And Interior Design: Perran Trewhela, Joe Williams
Woodworking: Woodland London
City: London
Country: United Kingdom

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